Friday, November 4, 2011
Wednesday, October 5, 2011
Anagama Firing Round 2
We started with an overnight gas preheat and followed by 3 1/4 days of firing with pine and oak, which was a bit shorter than our plan. We did one last major stoke and then sealed it up with cone 12 bending in the front. With just 3 people pulling 8 hour shifts each day, we were a bit tired by the end of it.
Sunday, October 2, 2011
More info on the Historical Appomattox Railroad Festival can be found here
Sunday, September 18, 2011
Soda Kilns Falling Down
Wednesday, September 7, 2011
Residency positions available
ATTENTION POTTERS, CERAMIC ARTISTS, AND CLAY ENTHUSIASTS
The Cub Creek Foundation is now accepting applications for 12 month and short term residencies. Please contact John Jessiman at info@cubcreek.org or by phone at 434.248.5074 for more information.
Facilities:
Spacious 400 sq foot studio space
access to:
newly constructed anagama
cone 10 gas reduction kiln
wood-salt - in progress
wood soda - in progress
Skutt manual electric kiln
two abundant native clay deposits
Saturday, July 23, 2011
Summer 2011
Applying castable refractory roof. A separate key brick will be cast to allow for expansion from the heat
The week long workshop was a lively time of hard work, long hours and hot sun. Despite dangerous working conditions our wonderful group of residents and local artists pulled together to leave their mark on Cub Creek's future.
The weeks following the workshop have been spent saying goodbyes to residents at the end of their year long Cub Creek experience, digging and processing local clay, and creating a healthy amount of pots to fill the new kiln. With the arrival of kiln building workshop participant turned short term resident Ron Shaw came the construction of a roof to protect the new kilns from the elements. Ron is not only a terrific potter from Florida, but also a tremendously hard worker whose assistance with building the shed cannot be thanked enough.
We began our first firing of our anagama on July 16th. The good news is that it works! cone 12 was soft in the firebox at 24 hours. The less than satisfactory news is that, like many first firings, it will take a few firings to fine tune. Despite an uneven firing with a minimal amount of natural ash we still received many successful pieces and an abundance of knowledge with which to approach the next firing.
Keep an eye out for photos of the loading, firing, and finished work.
-Mitch
Friday, January 28, 2011
Cory Brown
Monday, January 24, 2011
Audra Darbyshire
Wednesday, January 19, 2011
Heidi Kreitchet
Creating pieces that are derived from the concept of the vessel is what pushes me to create my work. I am interested in the exploration of form through line and gesture. This becomes my visual vocabulary for communicating my on-going experience with “pushing clay”.
By hand-building these pieces I express a constant change in pattern and form. I am interested in creating pieces with angles and planes that have texture and hardness to them while enhancing the beauty of the woodfire finish.
This interaction between the malleable, versatile clay is informed by my immediate reaction to the physical quality of the material. This provides the vessels with passion, power, animation, and elasticity.
I believe in expressing movement and gesture by using clay to give the vessels integrity.